You Will Find Your People by Lane Moore
As I've gotten older I feel like it's harder and harder to make new friends or keep friends. I've read several friendship books in the past couple years and so far I relate to this one the most. Not that Lane Moore and I are the same, but this is one of the first friendship books I've read where the author addresses family dysfunction/trauma and how that affects your friendships. I'm definitely interested to read her previous book now. While Moore is not a psychologist or "expert" on friendship, she doesn't frame herself that way - this is more a collection of essays about how she's navigated the often turbulent friendship waters and what she's learned in the process. I thought there was a lot of helpful information especially if you do come from a more dysfunctional background - that baggage affects EVERYTHING. I also liked that the focus wasn't just on other people, but also looking at yourself and what baggage you're bringing to the table, things you need to work on, etc. There is a lot of boundaries talk which is super important for ANY relationships. Overall, I definitely liked it and found it helpful and will look for other books by Moore in the future.
Some quotes I liked:
"If you've survived a Greek myth-esque series of relational disappointments, you know that trying to figure out how to make a friend when you've been hurt so many times, or never really felt loved or accepted in a lasting way, or never had a model of healthy friendship, can feel impossible." (p. 4)
"Friendships really are the biggest group project you'll ever be a part of, and many people address friendships the same way they address group projects:
1. They opt out of doing any work, assuming the other person will do it.
2. They do all the work and resent everyone else for not doing their part.
I have often found myself in category two - in both group projects and many of my friendships." (p. 75)
"Part of the problem is we're told to find people who feel like home to us. And if your 'home' was full of unhealthy patterns and toxic relationships, what will feel like home to you is actually the last place you should be." (p. 75)
"We talk about abusers isolating you from your friends and family to gain more control over you and your decision making, and I don't want to brag, but I can do that all by myself!" (p. 112)
Dessert Can Save the World by Christina Tosi
Christini Tosi believes that dessert fixes everything - have something to celebrate? The answer is cake! Going through a hard time? Ice cream can make it better. And for Tosi celebrating even the smallest victories is made better by dessert. She grew up seeing her Mom work a demanding job and still make time to bake and give treats away to everyone in her path. Tosi started experimenting with baking at an early age and quickly found her creativity sparked by dessert concoctions. She decided to go to culinary school and eventually worked in some of the most well-known restaurants in New York City including wd-50 and Momofuku. She eventually opened Milk Bar, first an offshoot of Momofuku, then a multi-location empire with cookies and ice cream in grocery stores. In this book Tosi explores her life philosophy by way of desserts. Each chapter focuses on an idea that applies to both desserts and life. Tosi is an optimist and that definitely shines through in the book. Each chapter also includes a few recipes that relate to that chapter's topic or stories. Overall, a very uplifting book that encourages readers to not only eat the cake, but make it too and then share it with friends, family, coworkers, and strangers.
Eat a Peach by David Chang
I love a good food memoir and I had heard about this one, but didn't pick it up until after I finished reading Dessert Can Save the World by Christina Tosi and she talked so much about how David Chang encouraged her to go out on her own with Milk Bar. I didn't know much about Chang before reading this book other than associating his name with Momofuku. This is an odd book for sure and Chang doesn't always paint himself in the best light. His reason for opening Momofuku came from his depression (he's bipolar) and he decided to do whatever he wanted with the restaurant because in his mind he probably wouldn't be alive in 10 years so why follow the rules. And that's basically how he's operated ever since (yet, he did live past those 10 years). His ideas often come from his manic times and he believes work and always trying to out-do himself is what's kept him going all this time. But, he sounds incredibly hard to work for. He describes terrifying outbursts of rage almost like an out-of-body-experience and while he reiterates over and over how he's trying to work on that it keeps happening. The way he talks about his successes is almost like it's a continual surprise to him. Maybe it's just the way he's retelling it, but it kind of comes across like he just did whatever and everyone loved it and now he has a restaurant empire - it seemed a little over-simplified to me. But, I've never eaten at any of his restaurants so maybe the food IS amazing and worth the hype. It was an odd book overall, but it did keep my interest and I liked how much he tries to reckon with everything - his mental illness, the restaurant industry, the #metoo movement, racism in food, etc.
Some quotes I liked:
"When I was a student at the French Culinary Institute, I once proposed a project using pork stock, which is common in Asian cooking. My instructor scoffed at me: 'Pork stock is for savages.' I walked away with my head down, wishing I had the courage to tell him he was wrong." (footnote on pg. 36)
"It should be said that I like fancy restaurants very much, but at that point in American dining, fanciness had become paramount. I recall a restaurant manager once telling the staff as we prepared to cook for the New York Time critic that, in order of priorities, the critic would be considering (1) service; (2) decor; and (3) the food. It was around that time that I first started thinking, Fuck this. I don't want my work to be an accessory to the carpet and chairs." (footnote on pg. 40)
"As with any addiction, the deeper I got, the higher the dosage I needed. Drug addicts don't get the same pleasure that a random party kid gets from doing a bump in a bathroom stall. They need much more. Sex addicts continually need to up the stakes of their pursuits - more partners, multiple partners, married partners. Marathon runners graduate to ultramarathons and Ironman competitions. It's no different with workaholics...Recovering alcoholics talk about needing to hit rock bottom before they are able to climb out. The paradox for workaholics is that rock bottom is the top of whatever profession you're in." (p. 52)
"When Kitchen Confidential came out, I was cooking at Craft. Cooks and chefs had yet to become cool or even normalized, and honestly we were all skeptical about this chef of a not-great restaurant in New York writing a tell-all about our business. Tony never worked in the upper echelon of restaurants. That gave many of us in the industry reason to thumb our noses at him, but it's also what made him remarkable. He was a lifelong line cook - the kind of guy who never aspires to climb the ladder of fancy restaurants. He represented the majority of cooks, and he wrote about our world with extraordinary intelligence and empathy...Many of the stories he championed in his writing and television shows were the ones that chefs care about: camaraderie, honesty, creativity, and the Latin American cooks who prop up the whole business. The person who may have done the most to legitimize our profession was the one we originally didn't think had the chops." (p. 142)
[On the #metoo movement and the restaurant industry] "The need for a quick resolution points to a desire to get it over with, when, in fact, the only solution is to sit and marinate in how uncomfortable this all is. I have to commit the years it will take to learn about the people around me and reject my baked-in biases." (p. 228)